Euro Binges on Snails, Pound Drops Down Plughole in Wacky Currency Musical – Bloomberg
The euro collapsed last night in Berlin. To be precise, it simply exploded offstage after eating too much confit de canard and snails.
So goes the finale of a fun musical fairy tale that is touring Berlin, Frankfurt and London on a shoestring. Euro boffins will enjoy some of its wackier creations, like a European currency snake whose body is completely out of kilter. She yelps as the Italian lira slips out of place in her spine during the course of the evening.
“EuroCrash! The Musical” transposes the single-currency story to a deep dark forest. Mark and Gilda can’t find their way out. They are lured into the gingerbread Euroland house, where Papa Kohl and Madame Mitterrand run a school of fiscal discipline attended by some wayward pupils — personified nation states like Callum of Ireland and Stavros of Greece.
The show’s numbers include a chorus praising the virtues of the Bundesbank and former U.K. Chancellor of the Exchequer Norman Lamont singing “Our currency’s gone down the plughole” in the shower. There are jokes about the Bundesbank’s “steady hand” policy and allusions to Jean-Claude Trichet’s “vigilance” at the European Central Bank, as well as throwaway references to former central bankers like Karl Otto Poehl.
The bad guys in the black cowboy hats are the credit-rating companies. “I’m Standard, he’s Poor’s/ For a dollar we’re yours” and “I’m Moody’s, he’s Fitch, It don’t matter which.”
via Euro Binges on Snails, Pound Drops Down Plughole in Wacky Currency Musical – Bloomberg.
Strange Random Euro Quote:
“European citizens can be assured that the future of the euro is that of a strong currency, based on price stability and the strength of the European economy,” – Wim Duisenberg
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Legal thriller looms as Sherlock takes his caseload to New York – News – TV & Radio – The Independent

It’s a fresh take on Sherlock Holmes which will transplant the sleuth to a modern-day setting. But it doesn’t take Baker Street’s finest to deduce the source material for a major new drama announced by American network CBS.
The producers of the BBC’s acclaimed Sherlock series, starring Benedict Cumberbatch, are prepared to take legal action against the US network over a rival Holmes series which appears to tread on familiar ground.
The BBC version is already a cult hit in America, where it is screened on the PBS network. The show’s contemporary reinvention of Sir Arthur Conan Doyle’s stories, allied to slick production values, impressed network executives at CBS – so when an offer to remake the BBC’s Sherlock for US viewers came to nothing, they decided to go ahead and make their own.
In a move which has caused concern at Hartswood Films, the BBC show’s producers, CBS has commissioned Elementary, described as a new Sherlock Holmes adaptation set in modern-day New York.
Sue Vertue, Sherlock Executive Producer at Hartswood Films, said: “We understand that CBS are doing their own version of an updated Sherlock Holmes. It’s interesting, as they approached us a while back about remaking our show. At the time, they made great assurances about their integrity, so we have to assume that their modernised Sherlock Holmes doesn’t resemble ours in any way, as that would be extremely worrying.” She added: “We are very proud of our show and like any proud parent, will protect the interest and wellbeing of our offspring.”
Strange Random Sherlock Holmes Quote:
I never make exceptions. An exception disproves the rule. – The Sign of the Four (1890)
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Powerhouse seeks touch of magic | The Australian
THE centrepiece exhibit at Sydney’s Powerhouse Museum is Locomotive No 1: the steam engine and its carriages comprised the first passenger train in NSW, running between Central Station and Parramatta.
The engine was built by Robert Stevenson & Co in England and began operation in Sydney in 1855, giving proud service to NSW Railways for 22 years.
Visit the Powerhouse today, though, and you’d swear the venerable locomotive was the Hogwarts Express. Since last November the Powerhouse has been in thrall to Pottermania.
Its Harry Potter exhibition, with costumes and models from the film series, is pulling the crowds unlike anything the museum has seen. A row of buses is parked outside. Queues snake through the entry area. A sign reading “Sold Out” seems to be a permanent fixture.
More than 180,000 people have seen Harry Potter to date, and museum staff are quietly confident that 320,000 will come through the doors by the time it closes on March 18.
The exhibition has been a boon for the Powerhouse which, if a NSW Auditor-General’s report is an indication, was seriously running out of steam. In the dry language of bureaucratese, the auditor’s report was frankly damning of the Trustees of the Museum of Applied Arts and Sciences.
Visitor numbers “fell by 19.3 per cent in the past two years”. There was a “dramatic decrease in the number of exhibitions” since 2007. And so few people went to the Top Secret and ABBAWorld shows last year that the $22 entry fee had to be abolished.
The Powerhouse disputes the report’s findings.
More chronic, though, is confusion about what the museum stands for. The outside signage reads “Science + Design”, which sounds like neither one thing nor the other, and in practice means incongruous displays of locomotive engines and contemporary lacework. As far as curatorial consistency goes, it’s a train wreck.
via Powerhouse seeks touch of magic | The Australian.
Strange Random Museum Quote:
I never can pass by the Metropolitan Museum of Art in New York without thinking of it not as a gallery of living portraits but as a cemetery of tax-deductible wealth. – Lewis H.Lapham
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Russian police don’t take kindly to opposition 
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